in reply to the email i never received

about music and the moving object(let's call it that shall we? and shall we also assume that all perspectives on 'found objects' which i might proceed to address here now are completely mine, and are based on all that i can show up as experience,i am not generalising,not compartmentalising,in all probability my opinion might change,but here it is nonetheless left to stand on its own in the sun for a bit. ..all charactersarefictiousanyresemblancetopersonslivingordeadbleepbleepyeah....)

music is a series of objects appearing, the 'layering'..the appearance of one layer after another is all part of the pace I'm trying to build. it changes with mood.i figured this a long while ago,though as is always the case i had no clue what i was doing, it led me to read poetry again strangely...baudelaire, nabokov,godard :) and as i read more up on it and came across the name of the classification for such appearances on sound ... synaesthesia ( i also realised i did not have it.dammit.)
anyway, when disney made fanatasia all that time back it was not synaesthetic either. i got an old vhs of it from the kmc and saw it. nada. not.
as usual an impressive product though.
so.speaking.
sometimes i pick the half notes as my foundation, sometimes i wait for the thing the guy puts in for his own amusement and accompany it with a repetitive motif for MY amusement...kind of bring it(the sound) out of the woodworks for a bit,with respect though,not too much out now.
about collecting sound and taking it from there, i dunno...i don't think there's enough time to compile ALL the sounds that strike and then play backgammon with it(speaking of which,we need to play it,backgammon...its sound and visual in little black and white markers), i think aiming to do that will make an epic of an experiment. and then you'll forget where you started from. i suggest writing, not about the theory but the visuals that you see, the moods ignited,colour,.. keep your footage as layer one, write out what it feels like in more visuals, examples from your daily life if you will, and then leave it free for your friend of sound to produce. that itself will be a stunner. because by that time you should be ready to string the original thought-what came of it- the thought now- the idea of sound for now- and then his idea of your sound.
it sounds like fun.
only you'll have to keep the feet rooted
grow your antlers, so to speak.
tag.

i think putting it into words demystifies the goosebumps. but then. if it provides for a board and spring spring. why not ?
:)